This book will be released in September 2024.
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Polar bears and Arctic explorers, the lore of the loup-garou, the mischief of the Mari Lwyd, fighter-jets in desert skies: William McClure Brown’s mind travelled many paths to celebrate story-making and the power of the unexpected in vivid imagery.
Born to Scottish parents in Canada in 1953, as a teenager he knew
painters in the Toronto scene and began to evolve his own creative
language. From 1977 he was based in London and south-west England
before settling in Wales in 1990. While he exhibited internationally he
was admired most in his close community of fellow artists.
He found inspiration in Devon, northern France, Galicia, North Africa, the
South Wales valleys and the Inuit communities of Hudson Bay. He
collaborated with painters and poets, learned Welsh, made public art,
held residencies in schools, and created images for Gorky’s Zygotic
Mynci. William Brown died in 2008, age 54. This is the first book to
explore the full range of his startling, audacious work.
A defining trait of human nature is, I believe, the imagination – at once
the alleviation of tedium, the bringing of a sense of fun and maybe, just
maybe, illumination. William Brown
If William had chosen to live in France or Spain, a museum would be established devoted to showing his work as an inspiration to future generations. Mary Lloyd Jones
For all that beauty that he added to our world. Lucien Suel
He was a great whirlwind of a man, a flaming presence, an unconventional teacher, generous inspirer, amazing colourist and a passionate, restless painter who simply couldn’t put down his brush … He was a shaft of light that cuts through the forest. Jon Gower
Bold colours, clear, powerful iconographics, and a unique body of work replete with narratives. There was no mistaking a William Brown painting when you came across it – there was a directness and a lack of guile that a child would recognise at once – but his work was also extremely resourceful in its ‘simplicity’. Iwan Bala
Peter Wakelin has published books on the artists Charles Burton, Roger Cecil, Falcon Hildred, George Little and Sally Moore and has been a contributor to Art Review, Modern Painters and The Guardian. His exhibitions include Hill-rhythms: David Jones + Capel-y-ffin at y Gaer in Brecon, Refuge and Renewal: Migration and British Art at the Royal West of England Academy and Romanticism in the Welsh Landscape at MoMA Machynlleth. He is a former Director of Collections at the National Museum of Wales and President of the Contemporary Art Society for Wales.